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William McAllister-Johnson : ウィキペディア英語版
William McAllister-Johnson

Professor Emeritus of the University of Toronto's Department of Art, William McAllister Johnson is a specialist in 18th and 19th century French art and he has authored books and catalogues on art history,〔Art History: Its Use and Abuse, 1990: http://books.google.com/books?id=VVO4L4rc55sC〕 versified prints in 18th century France,〔The annual Kathleen M. Fenwick Memorial Lecture by W. McAllister Johnson at the National Gallery of Canada, Dec. 6, 2012: http://www.gallery.ca/en/learn/McAllister_Johnson.php〕 and 19th century salon-era prints.〔French Lithography : the Restoration Salons 1817-1824, 1977: http://books.google.com/books?id=bATrAAAAMAAJ〕
Johnson was a student of Erwin Panofsky at Princeton University, and co-authored a catalogue on ''Numismatic Propaganda in Renaissance France'' for the Detroit Institute of Art in 1968.〔http://books.google.com/books/about/Numismatic_Propaganda_in_Renaissance_Fra.html?id=ce-mnQEACAAJ〕 He was awarded a Guggenheim Fellowship in 1978.
==Works==
Books
* ''Estienne Jodelle. Le Recueil des Inscriptions, 1558. A Literary and Iconographical Exegesis (1972), co-authored with Victor E. Graham
* ''La Galerie François Ier au château de Fontainebleau (1972), co-authored
* ''The Paris Entries of Charles IX and Elisabeth of Austria, 1571. With an Analysis of Simon Bouquet's Bref et sommaire recueil (1974), co-authored with Victor E. Graham
* ''The Royal Tour of France by Charles IX and Catherine de' Medici: Festivals and Entries 1564-6 (1979), co-authored with Victor E. Graham
* ''Art History: Its Use and Abuse (1988)
* ''Hugues-Adrien Joly Garde du Cabinet des Estampes du Roy. Lettres à K.-H. von Heinecken, 1772-1789 (1988)
* ''Versified Prints: A Literary and Cultural Phenomenon in 18th-century France'' (2012)
* ''The Rise and Fall of the Fine Art Print in Eighteenth-Century France (forthcoming 2015)
Exhibition Catalogues
* ''L'École de Fontainebleau (1972); revised as Fontainebleau 1528-1610 (1973), co-authored
* ''French Lithography: The Restoration Salons, 1817-1824 (1976)
* ''French Royal Academy of Painting and Sculpture. Engraved Reception Pieces, 1672-1789 (1982)
* ''L'Estampe en France du XVI au XIXe siècle, co-authored with Blandine Bouret and Madeleine Barbin (1987)
* ''Les Peintres du roi. Morceaux de réception à l'Académie royale de peinture, 1648-1793 (2000), commissaire, co-authored

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